NOT EVERYTHING HAS TO BE PERFECT

My personal work stems from observation, memory, and the need to transform experiences into images.

My work focuses primarily on artistic photography, self-portraiture, and experimentation, exploring what is often excluded from what is considered beautiful, correct, or perfect. I am interested in imperfect images: movement, blurriness, grain, accidents, and those mistakes that, far from ruining a photograph, can reveal something unexpected.

I take photographs to preserve, reconstruct, and also distort memories. For me, an image doesn't have to explain everything or be perfect—it has to evoke something.